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The Princess Theatre is a 1488-seat theatre in Melbourne's East End Theatre District, Australia. It is listed by the National Trust of Australia and is on the Victorian Heritage Register. ==History== Entertainment on the site of today's Princess Theatre dates back to the Gold Rush years of 1854, when entrepreneur Tom Moore constructed a large, barn-like structure called Astley's Amphitheatre. The venue featured a central ring for equestrian entertainment and a stage at one end for dramatic performances. It was named in honour of the Astley Royal Amphitheatre, also known as Astley's Amphitheatre, near Westminster Bridge, London. It was soon leased by the prolific actor-manager George Coppin, who had already established himself as an actor at the Queen's Theatre, and would go on to build the Olympic (known as the 'Iron Pot') on the corner of Exhibition and Lonsdale Streets - the future site of the Comedy Theatre, build the Haymarket Theatre and Apollo Music Hall, and lease (and eventually rebuild) the Theatre Royal in Bourke Street. In 1857, the amphitheatre was extensively renovated and the facade extended, re-opening as the Princess Theatre and Opera House. By 1885, the theatre came under the control of 'The Triumvirate', a partnership between J. C. Williamson, George Musgrove and Arthur Garner. The existing theatre had become rundown, and so the Triumvirate resolved to build a new theatre. Completed in 1886 to the design of architect William Pitt; George Gordon to design the interior; and Cockram and Comely as the builders; re-development of the Theatre took place at a cost of £50,000. The design is in the exuberant Second Empire style, and the theatre forms part of the Victorian streetscape of Spring Street. When completed, it featured Australia's first sliding or retractable roof and ceiling. It also featured state-of-the-art electrical stage lighting. The theatre re-opened, again, on 18 December 1886, with a performance of Gilbert and Sullivan's ''The Mikado''. The marble staircase and foyer was hailed as equal to that of the Paris Opera, the Frankfurt Stadt and the Grand in Bordeaux. Williamson left the Triumvirate in 1899 to form his own company, and Musgrove continued operate the theatre until 1910. The Princess came under a rapid succession of different owners until 1915, when Ben Fuller took control. Fuller then went into partnership with Hugh J. Ward, and in 1922 they engaged the architect Henry Eli White to extensively renovate the auditorium and foyers, and add the grand copper awning. The New Princess Theatre reopened on 26 December 1922 with a performance of ''The O'Brien Girl''. The theatre was purchased from Fuller in 1933 by Efftee Films, the film production company of F. W. Thring, the theatrical and film entrepreneur, who had his initials FT carved over the proscenium arch. He produced several musicals there, and made it the first home of his radio station 3XY, founded 1935.〔Argus, 4 August 1993, p.7, quoted in ''The Two Frank Thrings'', Peter Fitzpatrick, Monash University Publications 2012〕 When Francis W. Thring died, Ben Fuller and Garnett Carroll took over the lease of the Princess in Melbourne and in 1946 they formed another partnershipforming Carroll-Fuller Theatres Ltd to purchase the Princess Theatre.〔http://www.liveperformance.com.au/halloffame/garnetcarroll2.html〕 After Sir Ben Fuller's death in 1952, Garnet H. Carroll assumed complete control.〔http://www.liveperformance.com.au/halloffame/garnetcarroll2.html〕 For the following 12 years, often in association with other entrepreneurs, he presented an eclectic array of opera, ballet, musical comedy and drama, though he was constrained by the lack of an interstate circuit. At the Princess in 1954 he hosted the National Theatre Movement’s gala performance of The Tales of Hoffmann for Queen Elizabeth II and Prince Philip. Other notable productions included Ballet Rambert (1947-48), the Old Vic Theatre Company with Sir Laurence (Lord) Olivier and Vivien Leigh (1948), the Shakespeare Memorial Theatre Company (1949), the Vienna Boys' Choir (1954), the Chinese Classical Theatre (1956) and the Sadler's Wells Opera Company (1960 and 1962). Garnett Carroll often staged elaborate American musicals—among them Kismet (which he himself produced in 1954), The Sound of Music (1960), The King and I (1960) and Carousel (1964)—while they were still in their early months on Broadway, and tried unknown singers and actors.〔http://adb.anu.edu.au/biography/carroll-garnet-hannell-9697〕 Garnett Carroll died on on 23 August 1964 and ownership passed to his son, John Carroll. For some years he maintained the pattern set by his father, but in 1969 the family company, Carroll Freeholds Pty Ltd, leased the Princess to the Australian Elizabethan Theatre Trust. In 1987, David Marriner purchased the Princess Theatre; he renovated and had the 1922 origins documented, then 9 December 1989, the theatre re-opened with the musical ''Les Misérables'', followed by ''The Phantom of the Opera'', establishing a new record for the longest running show ever staged in Victoria. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Princess Theatre, Melbourne」の詳細全文を読む スポンサード リンク
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